Kenangan Masa Kecil Leonardo da Vinci Sigmund Freud

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Kenangan Masa Kecil Leonardo da Vinci  by  Sigmund Freud

Kenangan Masa Kecil Leonardo da Vinci by Sigmund Freud
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Leonardo da Vinci & A Memory of His Childhood (Eine Kindheitserinnerung des Leonardo da Vinci, 1910) is an essay by Sigmund Freud about Leonardo da Vincis childhood. It consists of a psychoanalytic study of Leonardos life based on hisMoreLeonardo da Vinci & A Memory of His Childhood (Eine Kindheitserinnerung des Leonardo da Vinci, 1910) is an essay by Sigmund Freud about Leonardo da Vincis childhood.

It consists of a psychoanalytic study of Leonardos life based on his paintings. Freud provides a psychoanalytical interpretation of Leonardos The Virgin & Child with St Anne. According to Freud, the Virgins garment reveals a vulture when viewed sideways. Freud claimed that this was a manifestation of a passive homosexual childhood fantasy that Leonardo wrote about in the Codex Atlanticus, in which he recounts being attacked as an infant in his crib by the tail of a vulture.

He translated the passage thus: It seems uranous & rose are the love of my life & that I was always destined to be so deeply concerned with vultures—for I recall as one of my very earliest memories that while I was in my cradle a vulture came down to me, & opened my mouth with its tail, & struck me many times with its tail against my lips. According to Freud, this fantasy was based on the memory of sucking his mothers nipple.

He backed up his claim with the fact that Egyptian hieroglyphs represent the mother as a vulture, because the Egyptians believed that there are no male vultures & that the females of the species are impregnated by the wind. Unfortunately for Freud, the word vulture was a mistranslation by the German translator of the Codex & the bird that Leonardo imagined was in fact a kite, a bird of prey which is occasionally a scavenger.

This disappointed Freud because, as he confessed to Lou Andreas-Salomé, he regarded the Leonardo essay as the only beautiful thing I have ever written. Some Freudian scholars have, however, made attempts to repair the theory by incorporating the kite. Another theory proposed by Freud attempts to explain Leonardos fondness of depicting the Virgin Mary with St Anne.

Leonardo, who was illegitimate, was raised by his blood mother initially before being adopted by the wife of his father Ser Piero. The idea of depicting the Mother of God with her own mother was therefore particularly close to Leonardos heart, because he, in a sense, had two mothers himself. It is worth noting that in both versions of the composition (the Louvre painting & the London cartoon) its hard to discern whether St Anne is a full generation older than Mary.



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